![]() ![]() It’s like a hotel after a while there is a new management philosophy which makes change necessary. Changes are needed partly because of maintenance, but also partly because the programme for what goes on in the Opera House has altered over the years. ![]() Even if he had completed the Opera House according to his plans, thirty years later it would have needed changes, no matter who did the original work. JAN UTZON No, and that’s my father’s idea. It’s not a document that could be described as static, is it? ![]() He spoke with Cameron Bruhn.ĬAMERON BRUHN The Utzon Design Principles (UDP), released in May 2002, is both a strategic plan and a living guidebook for the future keepers of the Sydney Opera House. During his recent visit to Australia, Jan Utzon inspected the work currently underway on the Reception Hall and announced plans for a colonnade along the western facade of the podium. His work on the Reception Hall, the Western Loggia, the Concert Hall and the Opera Theatre will be undertaken in collaboration with son and partner, Jan Utzon, and Richard Johnson of Sydney-based practice Johnson Pilton Walker. Refurbishment projects are now underway with Jørn as director-incharge, master architect and concept designer. Following the New South Wales Government’s $69.3 million grant in 2001, the works of the Venue Improvement Plan began. In 1999 Jørn Utzon was engaged by the Sydney Opera House Trust to create a set of design principles for the Sydney Opera House. ![]()
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